![]() ![]() ![]() The two groups of instruments then move in and out of different octaves until they eventually "collide" with each other at the same pitch. After being stated, the main theme is then very slightly modified with a few different ascending notes, but transposed up a perfect fifth (to the key of F-sharp major, the dominant key, but with flattened sixth) and played on different instruments. The simple theme begins slowly and quietly in the lowest registers of the orchestra, played first by the cellos, double basses, and bassoons. The piece is in the overall key of B minor. enough" – avoiding the commitment implicit in the phrase " To thine own self be true" and just doing enough – is central to Peer Gynt 's satire, and the phrase is discussed by Peer and the mountain king in the scene which follows the piece. Grieg himself wrote, "For the Hall of the Mountain King, I have written something that so reeks of cowpats, ultra-Norwegianism, and 'to-thyself-be-enough-ness' that I cannot bear to hear it, though I hope that the irony will make itself felt." The theme of "to thyself be. There is a tremendous uproar in the hall." The lines sung are the first lines in the scene. Dovregubben sits on his throne, with crown and sceptre, surrounded by his children and relatives. The scene's introduction continues: "There is a great crowd of troll courtiers, gnomes and goblins. The piece is played as the title character Peer Gynt, in a dream-like fantasy, enters "Dovregubbens (the troll Mountain King's) hall". The two- phrase theme, written in the key of B minor ![]() Read more about how to experience Grieg in Bergen.Audio playback is not supported in your browser. You can visit his villa, catch a concert at Troldsalen or host a private event. The name Dovregubben is also used in cafes, kindergartens and other places.Įdvard Grieg's home at Troldhaugen is now a museum, open for the public with guided tours and concerts. In the concert and event venue Grieg Hall in Bergen, the largest room has been named Dovregubbens Hall. The name Dovregubben and Dovregubbens hall live on in many places in Norway. Photo: Edvard Grieg and Bjørnstjerne Bjørnson 15 June 1903 at Troldhaugen during the celebration of Grieg's 60th birthday. Grieg's first reaction was that this was impossible as he perceived Ibsen's dramatic poems as very unmusical, but it is alleged that the financial offer from Ibsen in the end was too good for him to turn it down. It has a violent and gloomy feeling, in stark contrast to the rest of the compositions Edvard Grieg wrote for the piece, which are very bright and tender.Įdvard Grieg was actually busy making music for an opera with Bjørnstjerne Bjørnson, another famous Norwegian writer, when he was contacted by Henrik Ibsen regarding composing music to Peer Gynt. In the Hall of The Mountain King is very different to the rest of the musical pieces in Peer Gynt. The collaboration between Grieg and Ibsen Dovregubben is a powerful troll king who lives with his court of underground beings inside "Dovregubbens Hall", and is symbolic of all the narrow-minded and self-righteous people. In Norwegian the king in the mountain hall is called Dovregubben. Among the most famous bands that have made new recordings are The Who and Electric Light Orchestra. Since the premiere of the work in 1876, parts of it have been used countless times in songs, movies, television programs and even in video games. Tthe day after a new performance in 1902, Grieg wrote in a letter to a friend: "If I live a little longer, I will perform all the music." Grieg created 26 pieces of music for Peer Gynt, but during his lifetime, the work was never performed in its entirety. One of Grieg’s most famous works is In the Hall of The Mountain King, which was written as part of the stage music for Henrik Ibsen's famous play Peer Gynt. These works include piano music, lyrical pieces, songs, folk songs, chamber music and works for orchestra. Edvard Grieg produced a total of 74 works during his life span. ![]()
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